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All Tomorrows

by Daymoon

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    OUT OF STOCK. You can get the physical album through our label Mals: http://www.mals.ru/?show=search&keywords=daymoon

    ================================

    Dear friends and fans,

    Despite everyone's amazing support and help, my wife Inês passed away on 13th February, 2012. This album expresses my eternal love for her.

    Fred Lessing

    =================================


    "All Tomorrows is a maddening, majestic album" Sarah Madges (http://www.muzikreviews.com/reviews.php?ID=1760)

    "One of the better progressive rock releases this year" Mark Johnson (http://www.seaoftranquility.org/reviews.php?op=showcontent&id=11220)

    "...a fresh take on what symphonic prog is supposed to sound like" Fred Tafton (http://www.gepr.net/da.html#DAYMOON)
    ... more
    Purchasable with gift card

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1.
All tomorrows gone, all I’ve gathered - lost forever, all tomorrows gone The time has come for me to die, my breath is slowing down now The final word is left unsaid - there is no more tomorrow All the things I have collected will be left behind to waste away All the things I’ve learned and mastered will be gone in a moment There’s no escape, I cannot hide - my heart is slowing down now (I’m so scared) I know now there’s no other side once I close my fading eyes
2.
TranscendenZ 02:28
3.
Human Again 07:34
Winds don't ever cease, Ripples from shore to reeds On into the barren heath Frogs can live inside this drifting Mirror of clouds Underwater milder climates. Now: Sudden burst of sparrows Darts across the lake Boldly – takes my breath Not enough though to be real: Alien gift to the corner of my eye No shelter to be found here for Stalkers in the wind We wait in vain to learn From the lake and the fog The warblers and the reeds Sudden shift into the domes of desire Half the soul dislocated: Plunge, black avalanche All-embracing down-the-mind Dark fear in me - which soul is mine, Which half am I? Dug into soil, eyes devoted to the rain Remember me When the sun’s no comfort now Dark fear in me - which soul is mine, Which half am I? Dug into soil, eyes devoted to the rain Remember me when the sun's No comfort now When the sun is no comfort The sun is no comfort, The sun is no comfort now We used watch our toys turn to dust Make frogs burst to blood with cigarettes This, or so, we tell each other As if to state a cosy past My fingers dug into the sour gravel To become human again, human again Remember me When the sun is no comfort The sun is no comfort The sun is no comfort - For such is the wheel of innocence We'll become human again, Human again...
4.
Marrakech 02:36
Good night. This house my own, with damp windows to the sea, the shell I'd always longed for, its definite silence, and all this time to be a hermit of delicate private luxuries. White time for perfection and imperfection Night flows in through the roof, full of dogs barking. Distant noises ring in the darkness, The light of my candle dies softly. The cool air of the night Compressed the tired light Of the yellowish bulb, Stars up in the sky sigh a frosty sigh. My house stands in the plain lands On rocky ground, here by the sea. My little house stands near the Atlantic ocean That in its cold emptiness Breaks thundering on rocks. And the night Surrounds us strange and black Like the far side of the moon. Far from Marrakech in freezing emptiness I'm lying here and listening into the night. The radio speaks so Arabic in Marrakesh. There's a camel in the desert And it's walking to the beat, There's an Arab on the camel And he's walking to the beat too, yeah. The radio speaks so Arabic: ‘White Time’
5.
Sorry 10:58
How to say sorry Blank feeling like a pre-Euro coin now ...falls accidentally in my hands What was this? What is it now? Now is the second-to-last round These are the final decades ...nothing but catastrophe can bring change Weeks blurring past like a speed train The past a big bowl of mush That pushes me back into the silent halls of the mind Sorry, I didn’t mean it I’m just a little lame (lamb) A halo of forgetfulness surrounds me Sorry, I didn’t mean it, I’m just getting dumb Here I’m melting in the summer sun Sorry, I didn’t mean it, Cerebellum was taking over Must have caught a trojan in my brain Sorry, I didn’t mean it, I grab the baseball stick and... The violent need to Feel someone’s cartilage yield To bite through flesh Kick bone to pulp While thunderstorms rage Inside your middle ear And multiple heartbeats Throb up your neck Golden fireworks of violence Bloom across your sight A taste of burnt rubber On a scorched lump of tongue I don't speak, I don't think. You try to call - I am a wall Here I sit, after all Less to say - so common now I read mickey mouse while people die Friends drown black, they're raging dry I don't fight, I don't care Faces and tears floating by What I see is what I know Is what I see is what I know Broken flowers, falling towers Does anything mean anything at all? When they smile at you on the TV show Does anything mean anything at all?
6.
Bell Jar 06:03
Once it was the dark of night, Alleys with cobblestone The foggy winter, not one soul, The emptiness of wasted time Hours spent alone with a leaking bottle, Words bleeding from my hands, The fast fast candle a state of mind, And pain a shade of black and red Days screamed between the nights, And nights were waking pain My soul was pinned on the edge of dawn, Stretched along these endless hours I lived in a dome, fed on childhood milk, The air to stale to breathe Complete isolation, yet I found my voice, Left with nothing but a past of lies All that we learn is bound to be wrong Cause winds always turn There's more than one song 3000 miles south from my home I built a country of my own Customs and speech become relative When you understand that we're alone Human nature's not beautiful, But accidental as the rest Nothing new expect to find, It's all the stale air of domes All that we learn is bound to be wrong Cause winds always turn There's more than one song Later I learnt that the dome is made of Confining memories Learnt to forget the past To breathe a stronger air Maybe this ain't true, babe Maybe it ain't as nice, Maybe real-world colour is close to grey, and the inner eye seeks for more All that we learn is bound to be wrong Cause winds always turn, There's more than one song All that we learn is bound to be wrong Cause winds always turn, There's more than one song When human voices wake us up, We drown anyway...
7.
First Rain 05:24
And all of a sudden the first hard rain hits cedar and beech, the last crimson flame of Autumn It quenches, whips the soil into drains, Hurls chestnuts down the mossy trunks, and drowns ripe grains. When the forest flattens under the brunt The air is sea, a crushing hand Then widen your eyes, breathe on your skin The season of the soul is bidding you in. The rain has ceased, there's light on the earth The forest is breathing its loam-clad birth of Autumn, carpets of fog wash low over roots Through cold bracken and pearl from my boots. It's been a long night
8.
Arklow 06:56
I usually watch and wait until I'm sure I usually watch and wait until I'm sure I usually watch and wait until I'm sure I'm watching now, and now I'm sure: This is Purgatory, this is Purgatory Irish province, Arklow, the year's 2002 The salad dressing's vinaigrette Whole-grain dijon mustard too The sun won't set before eleven, The wine's Australian, cheap and glorious too Middle-class baby's hair gelled-up Like Sting in Dune How to be hip here, how to be anything? The food is perfect, nothing happens,will ever. Apartments in black-roofed developments by The Irish seashore: that's the best that you can do. Rod Stewart muzak. almost not there - forever. Canned rebels, Bob Dylan Pie Provence-style - give it an accent or two While your Pakistani boss takes it out on you (and you know that you'd do the same too) The guy next table ingratiates the Young Ukrainian waitress Ignores his bland wife, no kids yet: No money for Ukrainian babysitters, Both groan while they eat Black tiles on their heads, Candles in the sunlight Burn till the weak sun goes down Today and forever Today and forever Days like slime at the bottom of the harbour Wait till it's eleven, so we can finally sleep Till it all starts over again In Purgatory, in Purgatory, in Purgatory After the plane crashed into the factory, the town shook hard and houses came down. I met God in the hotel lift, his face made of ebony 3 tears rolled down my face... And all my life rolled into 1 - I was a boy again, you were a girl again: Finally our histories entwined And we became 1...
9.
Night games, jammed doors: you play outside, I play inside: touching the wall Night moths you brought lovingly, you bring to me, never reaching me You're nothing but your coal eyes, and I can only see the night that erases your face Here's news from the outside Quiet and silent overnight, upon the wind, upon the edge it's been shed Wide blue lightning howls along the brim, the razor edge of colourless words You're nothing but your coal eyes, and I can only see the night that erases your face Here's news from the outside Two eyes made of coal try to decode, to ride from here into the heat News from the outside - the word for today, to ride from here: return to sender
10.
The Sum 13:49
From the inside of a nightmare I know yours ain't any better. Pictures burning fast, but they don't stop. Taken by the waters I stumble, I turn. Days are lightning, you scream too fast Touch sensation, making love and walk on air Fast elation, silken skin and fragrant hair Desperation, unaware of stiller ways Desolation, your absence for a hundred days Weather station, static waves of undertow Invocation, monochromatic picture show Incantation, lover of a thousand lights Celebration of a million golden nights Sometimes the heart lies open Like a flower blessed by rain These are the moments when we can let go That’s the moment when some choose God, And others choose to do good These are the moments when we can choose Why give myself to a concept? Why look so far away? Why not to choose to love the ones that care? When this moment came to me, I knew I was ready to give And I gave you all my heart Hold on, you said, but I could not hold myself. Then leave me, you said, but I'd fallen far behind. Take me, I said, and your eyes were golden globes. See now, you said, and filled the darkness of my mind Believe me, I said, There shall be no Pavlov love. Pray hear, she said, no more words of incantation. Take me, I said and your eyes were golden globes. See now, you said, and filled the darkness of my mind The radiance of you, when Orion fills the night I'll learn the sky anew and I breathe you Forever

about

WE RECOMMEND DOWNLOADING THE WHOLE ALBUM AND BURNING IT ON CD WITH NO PAUSES IN-BETWEEN TRACKS.

THE PHYSICAL CD IS OUT OF STOCK, SORRY!

And now to WHAT YOU NEVER WANTED TO KNOW ABOUT THIS ALBUM, by the snooty author himself.

While being DAYMOON’s first-ever album to be released, this is actually my own 5th album (let know if you want one of them for free - they're utter crap though, believe me). All the ones before All Tomorrows were solo albums, with the occasional helping hand from guest musicians, and they never got released. I also took part in a few other Portuguese projects, e.g., Mispel Bellyful, Project Creation (very minor only), Flora Majora, Miosótis and SP'AM. You can find some of it in the Donwloads section on the Daymoon website at www.daymoon-music.com.

Anyways, in the middle of the album before this one - Fabric of Space Divine (to be released into the great wide open this year still), I felt I'd had it with unreleasable music and quit all serious efforts to make serious music. Instead, I chose to play with myself in the studio, which by definition is an entertaining thing to do, and even more entertaining if you have a helping hand, hence I asked some very gifted musicians from all over the world to lend me their hands. Oddly enough, some people told me they liked the result of all this innuendoing, and so it came to pass that I delved headlong into music again.

Along came Ian Oakley, at the time manager of The Tangent, and put me in touch with Andy Tillison of The Tangent and PO90. Even more unexpectedly, Andy liked the album and accepted the challenge to produce this ambiguous little plaything. All of a sudden, invitations too came to perform this innuendo live, so I started looking for fellow musicians here in Portugal. And found the most amazing bunch of people!

In the meantime though, Andy told me rather head-scratchingly that most of my original recordings were really sloppily done, so I challenged my newly found live band pals to redo almost all of the flawed recordings. Which they did.

And so there you are: All Tomorrows is a solo album by Fred Lessing that half-way through turned into a band project, comprising an unwieldy mixture of files exchanged via the Internet, tracks recorded at my own studio, acoustic drums recorded at a proper studio, and all sorts of what-nots, then much of it redone by my new band, and all of it tamed and skillfully auralised by Andy Tillison, except for: "Sorry", the full credits for which go to Mats Johansson and Thomas Olsson of Swedish prog gods Isildurs Bane.

A handful of tracks on this album are rehashed and revamped songs from my previous, unreleasable albums, while most others are brand-new Love Songs for the love of my life, Inês. I hope you enjoy this odd mix, that has some prog on it, but not only, and not only not only not.

And should you in any way wonder about the music that I like, here is some of it: J.S. (and PDQ) Bach, Klaatu, Mike Batt, Peter Gabriel, Renaissance, Tom Waits, The Persuasions, Gavin Castleton, and then a very thick slice of progressive rock recorded after 1996. Not to mention Twin Peaks.

Next up, and at last: Fabric of Space Divine, or The History of the Universe as Profoundly Misunderstood by Fred Lessing.

Apart from that, we're already working a whole new album of brand-new stuff, working-titled "The Vivisector".

For more info on the people, songs and ideas on this album, other albums, more annoying gobbledeegook, and live dates, go to www.daymoon-music.com.

Fred Lessing
Sintra, Portugal - June 2011

POST SCRIPTUM: My One & Only Love passed away on 13th Feb 2012. My All Tomorrows will have to be spent without her now.

credits

released June 30, 2011

Produced by Fred Lessing. Co-produced, mixed, mastered and made much better by Andy Tillison. ‘Sorry’ produced, arranged and mixed by Mats Johansson and Thomas Olsson.
Performed by

DAYMOON (Portugal):
Fred Lessing – guitars, woodwinds, vocals, keyboards, ethnic instruments
Luís Estorninho – bass guitar
Adriano Pereira – reeds, backing vocals
Paulo Catroga – keyboards, backing vocals
Fernando Guiomar – guitars

GUESTS:
Bruno Capelas (Portugal) – drums
Andy Tillison (UK) – keyboards, backing vocals
Pete Prown (USA) – guitar
Luca Calabrese (Italy) – French horn
Paulo Chagas (Portugal) – reeds & woodwinds
Hugo Flores (Portugal) – vocals
Mark Lee Fletcher (USA) – vocals
Thomas Olsson (Sweden) – guitar
Mats Johansson (Sweden) – keyboards
Jay Schankman (USA) – keyboards
M.ª João Tavares (Portugal) – clarinet
Inês Lessing (Portugal) – backing vocals
Don Allen (USA) - frantic shouting

Everything written for Inês by Fred.

THANK YOU FOR SUPPORTING UN-HIP MUSIC
WWW.DAYMOON-MUSIC.COM
© Fred Lessing 2011

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Daymoon Portugal

Portuguese transgressive rockers Daymoon aim to delight the world with an incoherent concoction of music from the across the past millennium. Or so. New album EROSION out now.

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